Untitled, 2020

Video Montage

The piece is a montage of films and TV programmes in movies (reproduced in line with fair usage copyright guidelines).  These screens within screens are an infinity mirror metaphor for the looping mechanism by which life and culture endlessly inform and transform each other. 

Fair Use Disclaimer

This video contains copyrighted content which I do not have authority to use. Use of these materials is covered by the UK copyright law on fair use of works  listed in Section 30A, Schedule 2 (2A) of the Copyright, Designs and Patents Act 1988.

No copyright infringement is intended and I do not own nor claim to own any of the original footage used in the video.

Credits (In Order of Appearance)

Donnie Darko. 2001. [Film]. Richard Kelly. Dir. USA: Flowers Films

Burn After Reading. 2008. [Film]. Joel and Ethan Coen. Dirs. USA, UK, France: StudioCanal/Relativity Media/Working Title/Mike Zoss Productions

The Mirror Has Two Faces. 1996. [Film]. Barbra Streisand. Dir. USA: TriStar Pictures.

Grosse Pointe Blank. 1997. [Film]. George Armitage. Dir. USA: Hollywood Pictures/Caravan Pictures/Roger Birnbaum Productions.

9 and a Half Weeks. 1986. [Film]. Adrian Lyne. Dir. USA: Galactic Films/Jonesfilm/Producers Sales Organization/Triple Ajaxxx/Metro-Goldwyn-Maye

Heartbreakers. 2001. [Film]. David Mirkin. Dir. USA: Davis Entertainment/Winchester Films.

Nikita. 1990. [Film]. Luc Besson. Dir. France: Gaumont Film Company/Les Films Du Loup/Cecchi Gori Group Tiger Cinematografica.

The Commitments. 1991. [Film]. Alan Parker. Dir. Ireland, UK, USA: Beacon Pictures/The First Film Company/Dirty Hands Productions.

Fatal Attraction. 1987. [Film]. Adrian Lyne. Dir. USA: ​Jaffe/Lansing Productions.